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You've selected:
CHOIR VOCAL
intermediate
Clarinet Ensemble
Sheetmusic to print
13 sheet music found
<
1
Classic Cartoon Symphony for Clarinet Choir
Classic Cartoon Symphony for Clarinet Choir
#
Clarinet Ensemble
#
INTERMEDIATE
#
Film/TV
#
Lisa Ochoco
#
Classic Cartoon Symphony for C
#
Lisa Ochoco
#
SheetMusicPlus
Clarinet Choir - Intermediate - Arranged by Lisa Ochoco. Score, Set of Parts. 30 pages. Published by Lisa Ochoco...
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Clarinet Choir - Intermediate - Arranged by Lisa Ochoco. Score, Set of Parts. 30 pages. Published by Lisa Ochoco
This piece is a lot of fun and will take your audience through a walk through classic cartoon memory lane with the following theme songs:
* This is It! (Bugs Bunny Overture)
* The Flintstones
* The Jetsons
* The Simpsons
* The Pink Panther
* Animaniacs
* Merrie Melodies
Scored for 4 Bb, alto, bass, and contrabass clarinets. There is an optional Eb clarinet part that can be played in lieu of or in addition to the 1st Bb part.
There are also a couple of percussion parts included in parts 3 and 4. Part 3 is a vocal high-hat, which is done by saying "tss". Part 4 involves finger snaps. These parts are done during the theme of The Pink Panther.
This piece is a great opening, closing, or encore selection for your group and it is geared towards musicians with intermediate skill.
Duration: 4 minutes
$18.00 ≈
16.60€
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.22€
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
44.22€
Going to Church from Frösöblomster 1, Op16 No6 for Clarinet Choir
Going to Church from Frösöblomster 1, Op16 No6 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Wilhelm Olof Peterson-Berger
#
Lisa Ochoco
#
Going to Church from Frösöbl
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559836 Composed by Wilhelm Olof Peterson-Berger. Arranged by Lisa Och...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559836 Composed by Wilhelm Olof Peterson-Berger. Arranged by Lisa Ochoco. 20th Century,Multicultural,World. 16 pages. Lisa L Ochoco #4833035. Published by Lisa L Ochoco (A0.559836). Wilhelm Peterson-Berger was a Swedish composer and music critic who wasn't afraid to speak his mind. He was an accomplished pianist/organist. His works included opera, symphony, choir, chamber, vocal, and piano music.
$12.00 ≈
11.07€
Summer Song from Frösöblomster 1, Op16 No2 for Clarinet Choir
Summer Song from Frösöblomster 1, Op16 No2 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Classical
#
Wilhelm Olof Peterson-Berger
#
Lisa Ochoco
#
Summer Song from Frösöblomst
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559921 Composed by Wilhelm Olof Peterson-Berger. Arranged by Lisa Och...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559921 Composed by Wilhelm Olof Peterson-Berger. Arranged by Lisa Ochoco. Romantic Period. 17 pages. Lisa L Ochoco #5712325. Published by Lisa L Ochoco (A0.559921). Wilhelm Peterson-Berger was a Swedish composer and music critic who wasn't afraid to speak his mind. He was an accomplished pianist/organist. His works included opera, symphony, choir, chamber, vocal, and piano music.
$12.00 ≈
11.07€
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
J
#
James M
#
Bach: Jesu, Joy of Man's Desir
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95 ≈
46.06€
How Lovely Is Thy Dwelling Place, for Clarinet Choir
How Lovely Is Thy Dwelling Place, for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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Johannes Brahms
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Bud Caputo
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How Lovely Is Thy Dwelling Pla
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Bud Caputo
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.826673 Composed by Johannes Brahms. Arranged by Bud Caputo. Christmas,Contemporary,Easter,Romantic Period...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.826673 Composed by Johannes Brahms. Arranged by Bud Caputo. Christmas,Contemporary,Easter,Romantic Period,Spiritual. 24 pages. Bud Caputo #4299819. Published by Bud Caputo (A0.826673). How Lovely Is thy Dwelling Place is a transcription of this classical vocal setting from the Brahms Requiem. This choral masterpiece will delight your audiences and provide students with an understanding of the wondrous harmonies from one of the all-time favorite classical geniuses. ,The woodwind registers are practical for advanced middle school to high school students. The independent lines and rhythmic elements will challenge all medium to advanced players.
$18.00 ≈
16.60€
To Cassandra for clarinet octet or clarinet choir
To Cassandra for clarinet octet or clarinet choir
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Clarinet Ensemble
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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To Cassandra for clarinet octe
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.580485 Composed by David Warin Solomons. 20th Century,Contemporary. 25 pages. David Warin Solomons #48447...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.580485 Composed by David Warin Solomons. 20th Century,Contemporary. 25 pages. David Warin Solomons #4844721. Published by David Warin Solomons (A0.580485). This is an instrumental extension of my vocal setting of my father's translation of Ronsard's poem A Cassandre
$10.00 ≈
9.22€
Louisiana Fairy Tale
Louisiana Fairy Tale
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Clarinet Ensemble
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INTERMEDIATE
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Fred Coots J, Haven Gillespie,
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Dennis Ruello
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(or "
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Louisiana Fairy Tale
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Chicory Music
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1269615 Composed by Fred Coots J, Haven Gillespie, and Mitchell Paris...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1269615 Composed by Fred Coots J, Haven Gillespie, and Mitchell Parish. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Pop,Standards. 11 pages. Chicory Music #862161. Published by Chicory Music (A0.1269615). Louisiana Fairy Tale (or Louisiana Fairytale) is a song written in 1935 by Haven Gillespie, with lyrics by Mitchell Parish and J. Fred Coots, and was originally popularized by Fats Waller. Waller's version opens with him playing a four-bar solo piano lead-in to a clarinet melody backed by drums, guitar, clarinet, trumpet and piano. A muted trumpet bridge precedes Waller's vocal verses, and a Dixieland-style improvisational instrumental jam closes the recording. This arrangement for Clarinet Choir, at the Intermediate Level, includes parts for Eb Clarinet, 1st Clarinet (Solo), 2nd Clarinet, 3rd Clarinet, Alto Clarinet, Bass Clarinet, and Full Score.Â
$12.99 ≈
11.98€
The Impossible Standard
The Impossible Standard
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Clarinet Ensemble
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INTERMEDIATE
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Alison Hanna
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The Impossible Standard
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Ali Hanna
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1264297 Composed by Alison Hanna. 21st Century,Classical,Contemporary. 5 pages. Ali Hanna #857154. Publis...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1264297 Composed by Alison Hanna. 21st Century,Classical,Contemporary. 5 pages. Ali Hanna #857154. Published by Ali Hanna (A0.1264297). I wrote “The Impossible Standard†in honor of my sister, Gretchen Hanna. She’s someone who endured so much during her time at Tennessee Tech University, specifically during her struggle to change her major from Vocal Music Education to Vocal Music Performance. It took Gretchen three attempts to pass her Vocal Performance barrier, and she never gave up no matter what. She graduated in May of 2022 and I couldn’t be more proud. This piece symbolizes the low point of Gretchen’s first attempt all the way up to that moment of triumph and relief when she finally was able to change her major. It had its world premiere on July 9th, 2023 at the ICA ClarinetFest 2023 in Denver, Colorado, and was performed by the Tennessee Tech Clarinet Choir under the direction of Dr. Mark Cramer.
$10.00 ≈
9.22€
Misbehavin'
Misbehavin'
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Clarinet Ensemble
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INTERMEDIATE
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Contemporary
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Pentatonix
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Lisa Ochoco
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Misbehavin'
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559928 By Pentatonix. By Matthew Radosevich, Mitchell Grassi, Ruth An...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559928 By Pentatonix. By Matthew Radosevich, Mitchell Grassi, Ruth Anne Cunningham, and Scott Hoying. Arranged by Lisa Ochoco. Contemporary. 34 pages. Lisa L Ochoco #5867113. Published by Lisa L Ochoco (A0.559928). Pentatonix is one of my favorite vocal groups. It is amazing how much sound they can create with just 5 voices.
$15.00 ≈
13.83€
Carol of the Bells (F min) (Clarinet Quintet)
Carol of the Bells (F min) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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Mykola Leontovych
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Regis Bookshar
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Carol of the Bells
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813227 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Multi...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813227 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Multicultural,Standards,World. 16 pages. Regis Bookshar #6167511. Published by Regis Bookshar (A0.813227). Clarinet Quintet - Intermediate - . This selection, Carol of the Bells, also known as Ring, Christmas Bells, is suitable for high school and college students and is perfect for Christmas concerts and church services. Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk, a New Year's song, known in English as The Little Swallow, and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, Ring, Christmas Bells, an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Clarinet Quintet. Included are a score and a complete set of parts (16 pages). In addition to this version for 5 Clarinets, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.
$12.00 ≈
11.07€
Carol of the Bells (F min) (Clarinet Septet)
Carol of the Bells (F min) (Clarinet Septet)
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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Mykola Leontovych
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Regis Bookshar
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Carol of the Bells
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813228 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Multi...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813228 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Multicultural,Standards,World. 19 pages. Regis Bookshar #6167513. Published by Regis Bookshar (A0.813228). Clarinet Septet - Intermediate - . This selection, Carol of the Bells, also known as Ring, Christmas Bells, is suitable for high school and college students and is perfect for Christmas concerts and church services. Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk, a New Year's song, known in English as The Little Swallow, and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, Ring, Christmas Bells, an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Clarinet Septet. Included are a score and a complete set of parts (19 pages). In addition to this version for 7 Clarinets, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.
$16.00 ≈
14.75€
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